motion

Topographix is a cool new tech I have been developing for the past few days. It will most likely eventually make its way to the QubaHQ tutorials, but not before we make something new using it with my team. The tool is still in early alpha, but already kicks some major ass and se should start doing some testing early next week.

In this episode I will share with you a simple After Effects preset I designed to help me stick 2D layers to a variety of sources without the need for parenting. While the technique itself is trivially simple, I will explain in-depth the mechanism behind the script and walk you through a number of examples of how it can be used.

In episode 2 of the QubaHQ Tutorials Season 2, I will show you how to use Photoshop's batch processing to create a cool glitch effect based off the GIF compression algorithm.

In this tutorial I will discuss the optics of chromatic aberration and common ways of reproducing it in vfx. I will also introduce the brand new Chromatic Aberration Rig in form of an After Effects script that automates the creation of this effect into a simple 2-click procedure.

High speed camera and several gallons of olive oil is a gift that just keeps on giving. Here is part 4 of our project for Olivari.

Here is a result of me messing around with After Effects and testing my new Chromatic Aberration rig.

For the July Bowerbirds clip, I decided to try something new. I created a realistic model of the Moon, based on the elevation maps gathered by NASA and animated the illumination phases as the light (the Sun) traveled around in. Having been recently turned onto the Mystery Science Theater 3000 by Conor, I then stylized it to look and feel like a stop motion project from the early days of Sci-Fi.

Five more parts of the slow motion oily madness.