color

Color grading using Curves, Levels and other RGB tools always felt quite counter-intuitive to me. That's why I decided to create QHQ Channel Splitter - an After Effects script and Photoshop action for automatic splitting of the image/footage into discrete RGB or CMY channels. Channel Splitter can change the way you experiment with color correction as well as open a brand new way of color grading through changing the "inks" rather than the channel values.

Here is a result of me messing around with After Effects and testing my new Chromatic Aberration rig.

It's a new month (well, almost the end of it) and a new Bowerbirds song time. This time I have used some of the techniques quite familiar to the followers of my tutorial series. The overarching principle remains the same - a video loop revealed by mixing Cyan, Magenta and Yellow inks. It's quite a jump from the April one and we're already brewing some ideas for June :)

Macula Lutea started as a happy accident - I've been working on one of the projects and wrote a small script to control the movement of the lens flare. Due to the calculation error (my bad) the light source ended up in completely wrong spot, resulting in highly exaggerated flare on the screen. Rather than discard the mistake, I decided to pursue intentionally misusing flares and discovered an entire world of cool abstract imagery that can be created in this style.

SplatterType is a custom preset I have developed recently that will allow you to create amazing ink and paint splatter animations with just a few clicks.