Among many other projects completed last year, Olivari’s Everything Tastes Better in Slow Motion, also known as minimOilisms was probably one of the most fun to create. We were tasked with exploring the world of slow motion macro photography of our client’s olive oil interacting with various substances and objects. In other words, we spent 2 weeks armed with a Phantom camera, splashing galons of oil all over the studio and making everyone hungry with the smell of oil heating up in thousands of Watts of light.
As a result we produced nearly 70 pieces of short, 10 second vignettes – first five of which I can share with you now. More of these will be coming up throughout 2013, as the campaign releases individual “episodes”.
Meanwhile, I’d like to invite you to a little game: can you guess what it is you’re seeing, and how were the shots rigged?
Post your ideas in the comments section, below.
Here is a YouTube Playlist of the entire 26-part Everything Tastes Better in Slow Motion series. You may also want to check part 2, part 3, part 4 and part 5 of this project.
Credits:
Produced at: Autofuss
Client: Olivari Olive Oil
Agency: twofifteenmccann
Creative Direction: Quba Michalski
Cinematography: Joe Picard
Editing: Ashley Rodholm, Ian Colon
Set Design / Rigging: Andy Vogt, Joe Picard
Post & color: Quba Michalski
Tools: After Effects
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[…] may also want to check part 1 and part 2 of this […]
[…] may also want to check part 1, part 2 and part 3 of this […]
[…] of the entire 26-part Everything Tastes Better in Slow Motion series. You may also want to check part 1, part 2, part 3 and part 4 of this […]
[…] of the entire 26-part Everything Tastes Better in Slow Motion series. You may also want to check part 1, part 3, part 4 and part 5 of this […]
No.1 looks like droplets being dropped, with the footage turned upside down and framed right.
No.2 appears to be dark coloured liquid dropped into the oil.
No.3 I think is the oil poured onto dark liquid that is sitting on a mirror.
No.4 looks very much like the oil and cherry tomatoes in a blender
No.5 could be a sheet of plastic stretched over a speaker, though it may also have just been a piece of string attached to the centre of the underside of the sheet, being tugged by someone underneath.
Those would be how I would first attempt to reproduce those shots anyway.