Good news, everyone! Our piece, New York Times: The Turkish Edition is being featured in this month’s edition of Stash magazine (that’s Stash 67, April 2010). We are pleased to inform you that we are the first Turkish studio to have a commercial in this prestigious compilation.
Other studios featured in this issue include Radium, Glassworks, The Mill, Psyop, Superfad and many, many more (108 minutes of content). Check out the trailer for Stash 67 after the break.
This is our one minute advertisement for the launch of Turkish Edition of The New York Times.
We constructed typographic versions of the most recognizable landmarks in Manhattan and Istanbul, and created a compact tour taking the audience from the New York Harbor all the way to the Bosphorus. Actual pages from the first issue of the newspaper were used to create the textures used in the scenes. The financial news page became NYSE and Wall Street, entertainment news turned into Times Square, and so on.
We were tasked with exploring the world of slow motion macro photography of our client’s olive oil interacting with various substances and objects. In other words, we spent 2 weeks armed with a Phantom camera, splashing galons of oil all over the studio and making everyone hungry with the smell of oil heating up in thousands of Watts of light.
Inspired by the cross-processed photos and CMYK printing, I have developed a visual effect for “digital polaroid”, based on the ink bleed transitions and used it to reveal the video over the course of a three minute song.
Nexus Q: Sweet, Smart is a little something something I cooked up a while ago for the launch of Google’s new media player. The product has been shelved, the video never produced, but I still have this kickass test.
It is my pleasure to announce that as of now I am the new Creative Director at Autofuss – a studio I have been a huge fan of for many years.
Here’s a long-delayed new imago studios reel for 2012. It includes commercial and independent pieces completed both in-house and as a collaboration with various production companies.
AE64 is a tribute to the demoscene and to the legacy of world’s most popular microcomputer: Commodore 64.
While this video was created using the typical contemporary arsenal of tools (mainly After Effects and Cinema 4D), it conforms to most of the basic graphical limitations of the C64 such as a limited 16-color palette, low resolution, use of the overscan area etc. To maintain the spirit of the demo, I also created most of the effects using various scripts and code snippets, procedurally automating many of the tasks typically animated using keyframes.
Copyright © 2004–2013. All rights reserved.
RSS Feed. This blog is proudly powered by Wordpress and uses a modified version of Modern Clix, a theme by Rodrigo Galindez.