Around two weeks ago I posted Blast from the Past: Imago Zoo – a series of wallpapers created for imago back around 2004. Today I am happy to show you three more renders from the imago promo series entitled Future Friendly.
They are slightly newer (2005 or 06 I believe) and feature cute, shiny robots I designed in Maya.
This abstract background is a combination of swimming pool caustics and elevation lines used in topographical maps. It was created using “vanilla” After Effects, without any 3rd party plugins.
I completed this experimental piece over the period of three days in April 2009. I have been experimenting with Cinema 4D, and in the course of messing with various animation settings, came up with a cool morphing crystal. I built a simple scene around the crystal with an inexperienced girl magician blowing herself to pieces by activating its powers. You can see the full-size video at the project’s page on imago site, or a smaller version with a little extra, right here, after the break.
Today’s comic was drawn rendered after watching the final episode of Battlestar Galactica and contains 3 huge spoilers.
Galactica was rendered in Cinema 4D using a free model available online. Bici was rendered in Photoshop using Quba.
Today Chi needed to use the Wacom tablet, so I wasn’t able to draw the new comic. Never fear, though, Maya comes to the rescue.
Today’s Bi is presented to you in full 3D glory. As a special bonus you can download a massive print-size version here.
This video is a little test I did in Maya back in 2008, experimenting with softbody dynamics, inflation and deflation of nCloth and HDRI.
AE64 is a tribute to the demoscene and to the legacy of world’s most popular microcomputer: Commodore 64.
While this video was created using the typical contemporary arsenal of tools (mainly After Effects and Cinema 4D), it conforms to most of the basic graphical limitations of the C64 such as a limited 16-color palette, low resolution, use of the overscan area etc. To maintain the spirit of the demo, I also created most of the effects using various scripts and code snippets, procedurally automating many of the tasks typically animated using keyframes.
In this tutorial I will teach you how to create your own UFO troll video using After Effects and Mocha – a process that should take you no longer than 30 minutes from the moment you grab a camera, to the time you are ready for upload.
I am the creative free agent, and I want you to work with me.
In this tutorial I will demonstrate the use of a new free preset from QubaHQ.com – Floaties. Floaties is a text animator based fake particle simulator allowing you to create floating specs of dust, glitters, bokeh-style out of focus abstract backgrounds and other visual elements.
In this tutorial I will show you how to quickly simulate stop motion aesthetic using my After Effects Stop Motion Kit. This collection of presets will allow you to easily add subtle imperfections to the movement of objects in your scene, emulating animator errors that are a staple of stop motion animation. Using 6 different expression sets, you will be able to apply and control glitches in movement, rotation and timing of your objects as well as simulate changes in camera position and exposure.
Here is my personal reel for June 2011, featuring pieces I have directed, edited, animated and designed in the recent years.
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