Liquid Mask
A carnival mask drawn in a veiny, black-and-white style I like to refer to as “liquid”. Pretty old, too. All the way from 2001.
A carnival mask drawn in a veiny, black-and-white style I like to refer to as “liquid”. Pretty old, too. All the way from 2001.
My doodles almost always reflect my mood. Judging from this one I must have been feeling pretty dreadful when I drew it.
Revealing handwritten text is one of these unpleasant tasks every motion designer has to deal with at least once. In this tutorial I present possibly the quickest and most efficient way of producing this effect.
Since the reveal effect itself is quite simple to produce and would result in a very short tutorial, I added some bulk to the video by presenting a smart way of guiding a null along the reveal, using it to drive different effects, such as a lens flare or particles.
Running time: 35min
Difficulty: Medium
Required tools: After Effects, Illustrator, Trapcode 3D Stroke and Particular.
Optional tools: Video Copilot Optical Flares
The image used for the header of this article is not a CAD rendering. Neither is it a fragment of a 3D model wireframe. It is a detail from the image mask I had to produce today in order to adapt a stock image into usable element for a motion graphics project I am currently working on.
Masking, matting, rotoscoping, keying… you name it – not exactly the favorite task for most designers, yet a necessary one. But does it have to be? In this article I would like to propose a solution that could potentially free the artists from the labor of building alpha channels for their images, earn freelancers some money and help the big stock providers expand their offering.
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