Archived entries: flare

Tutorial: 100% Accurate Reflections

In this After Effects tutorial I will demonstrate to you how to build a two-camera rig in order to create perfect 3D reflections. Using this technique, you will be able to reflect not only 3D layers, but also lights, particles, as well as any plug-in that obeys the movement of AE’s 3D camera.

The setup is trivially easy when using hand-animated cameras, but in the second half of the video I also show you how to create a more complex rig for use with Video Copilot’s Sure Target 2 camera controls.

The music used in the preview is a fragment of an Instrumental Mix of Perfect Exceeder by MASON vs Princess Superstar.

Running time: 51 min
Difficulty: Easy (you will be surprised how easy)
Required tools: After Effects (CS3 and above)
Optional plug-ins: VC Optical Flares, Knoll Light Factory, Trapcode Lux, Trapcode 3D Stroke, Trapcode Particular

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Knoll Chromatic Lens 2 for VC Optical Flares

One of the most frequently (over)used After Effects lens flares is undoubtedly Chroma Lens 2 preset available in Knoll Light Factory Pro. As many other motion designers I, too am guilty of using this effect in a few projects too many.

As I am currently migrating my flare workflow to Video Copilot’s Optical Flares plug-in, I decided to re-create this client-favorite preset inside the VCOP.

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Video Copilot Optical Flares Released

Yesterday marked the release date for Video Copilot’s Optical Flares plug-in. Set at a fairly low price point of $125, Optical Flares are soon to become a must-have tool in the arsenal of any After Effects user.

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Geolines

This abstract background is a combination of swimming pool caustics and elevation lines used in topographical maps. It was created using “vanilla” After Effects, without any 3rd party plugins.

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Witchcraft: RTFM

I completed this experimental piece over the period of three days in April 2009. I have been experimenting with Cinema 4D, and in the course of messing with various animation settings, came up with a cool morphing crystal. I built a simple scene around the crystal with an inexperienced girl magician blowing herself to pieces by activating its powers. You can see the full-size video at the project’s page on imago site, or a smaller version with a little extra, right here, after the break.

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Monster Pitch

These are two motion sketches from the pitch I did for monster.com end-tag back in 2007. In the end the company settled on a very simple logo fading in on black background, but I still like these two ideas.

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Chi

Back in 2003, when I was just getting started with After Effects I shot this little thing to try out some basic 2D motion tracking. The footage was totally under-lit, the tracking had uncorrected errors, but I still like this little piece.

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