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QubaHQ Tube

If you are a frequent QubaHQ visitor, you are probably already familiar with the Vimeo channel containing all the tutorials from this site. I have been using Vimeo as my primary video host for two reasons: first being their great video encoding quality, and the second – the fact that I was not allowed to upload content longer than 15 minutes to YouTube.

Today I realized that my account has actually been approved for longer uploads for quite some time, and I am currently in the process of uploading all of the tutorials to my channel. Vimeo will still remain my primary host, but with the content available on both of these major video sites, you now have an option of where and how you want to watch my tutorials… and I have a chance of reaching a wider audience.

You can access the QubaHQ tutorials playlist at: http://www.youtube.com/playlist?list=PL38A6A9E1711979BB or subscribe to my YouTube channel: http://www.youtube.com/user/q3c

As for the new tutorials – I have some stuff planned, but still no time to actually record anything. Follow, subscribe, check often and you will know when the new content arrives.

Cinemagraph: Remember ZX

Not too long ago, these were referred to as simply “cool animated gifs”. These days they go by much more artsy name of Cinemagraphs.

 

In the picture: ZX Spectrum microcomputer, an Italian analogue sound mixer and a National TV set. Only TV still works. Image brought to life in After Effects.

PS. Yea, I just realized these are called Cinemagraphs, not Cinegraphs. Corrected the spelling throughout the post.

Where’s the Webcomic?

For all those of you wondering what happened to the Adventures of the Bici Bee webcomic, I got some news. The series has now resumed, although you should not expect any regular schedule for new episodes. I also decided to filter the webcomic from appearing on the main page of my blog, as most of my visitors arrive to QubaHQ in search for animation and motion graphics content.

You can always check for new installments in the Bici saga by going to: bi.qubahq.com or by clicking the link on the top menu. If you follow me on Twitter, Facebook or Google+ you will also receive updates whenever a new episode is released.

Now go, Bici Bee #150 is out!

Preset+Tutorial: Stop Motion Kit

This preset and tutorial have been inspired by true events …or to be precise – they are based on a project I did a short while ago.

In this tutorial I will show you how to quickly simulate stop motion aesthetic using my After Effects Stop Motion Kit. This collection of presets will allow you to easily add subtle imperfections to the movement of objects in your scene, emulating animator errors that are a staple of stop motion animation. Using 6 different expression sets, you will be able to apply and control glitches in movement, rotation and timing of your objects as well as simulate changes in camera position and exposure.

Running time: 37min
Difficulty: Easy
Required tools: After Effects

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Reel 2011

Here is my personal reel for June 2011, featuring commercial and independent pieces I have directed, edited, animated and designed in the recent years.

Music composed by Joel Nielsen.

 

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Macula Lutea

Recently, I have been accused of over-using lens flares in many of my latest projects. To all you flare nay-sayers: This one is for you :)

Macula Lutea started as a happy accident – I’ve been working on one of the projects and wrote a small script to control the movement of the lens flare. Due to the calculation error (my bad) the light source ended up in completely wrong spot, resulting in highly exaggerated flare on the screen. Rather than discard the mistake, I decided to pursue intentionally misusing flares and discovered an entire world of cool abstract imagery that can be created in this style.

At the same time I stumbled upon an audio track U Smile (800% Slower) in which composer Nick Pittsinger stretched and slowed down Justin Bieber‘s song U Smile, resulting in amazing half-hour ambient piece. It was also a perfect match for my visuals.

Due to the busy schedule, the project waited for completion for a few months – I have completely forgotten about it and discovered it today while cleaning up my hard drive :)


For best experience, make sure to watch this video full-screen and in HD.

 

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Liquid Lifeforms

Liquid Lifeforms is a short experiment in Cinema 4D softbody dynamics. Visuals were inspired and edited to the audio track Beazt, created by disconnectuser (Alan Pring).

After countless commercial productions, where the result needs to feel pretty and appealing to the viewer, I felt an urge to create something a bit more disturbing. I wanted to approach the animation in the same way I would approach a live animatronic shoot. To achieve that, I constructed two rigid body robots, controlled by a bunch of randomized motors and set them lose in C4D’s dynamics engine. I then wrapped the resulting animation in a softbody, latex-like skin and run a second level simulation.

The process resulted in a creepy, realistic motion – part mechanical and part organic. I cut everything together in After Effects with some extra color correction and distortions. Enjoy!

 

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Fiat 500

I told you I was busy :)

This project started its life as a simple storyboard for a 2D piece based on photographs, delivered to us by the agency. The main brief was to show off different customization options for Fiat 500 using series of cuts. Right from the beginning I knew that the key to making the car look attractive in the commercial was in adding that one extra dimension, so we decided to upgrade the ad to a full 3D.

While the team was working on the car models, I rigged up yet another of my patented After Effects expression rigs (basically my own version of Trapcode Echospace) in order to easily create and animate the flower designs originally designed by the agency. The rest was a pretty standard editing, compositing and beautifying process, resulting in the ad you can see below.

 

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Sun Ich: Purely Fruit

This project was my first venture into the world of slow motion demo shots, and a pretty successful one, if I may judge it myself. It’s been shot over the course of 24hrs on Phantom HD and edited in my standard After Effects environment.

I am particularly happy with this commercial, since I had full creative control over all of its aspects. From concept and creative direction through directing the shoot, to post, vfx and music – I was able to execute the project precisely as I imagined it. In fact the final result is nearly 100% identical to the first storyboard-based animatic, originally pitched to the client.

 

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Tim Minchin: Storm

Over a year ago I posted a trailer for a fantastic animated short entitled Storm. The film was to be written and performed by Tim Minchin and directed by DC Turner and scheduled for release in 2010. They year has gone and passed and I assumed the film was cancelled. Apparently I haven’t followed it closely enough. The film was released in festivals in 2010 – and in April 2011 it premiered on YouTube.

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